Title, by Greg Beemster

Title

by Greg Beemster

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1.	Execution 00:37	lyrics	buy track
goya's figures are heavy with fate but all of the struggle is in the paint
2.	Afield 00:42	lyrics	buy track
blindly van gogh takes the local out of color though he neither breathes the pollen nor do crows peck at his ear ache
3.	Spire 00:46	lyrics	buy track
it is the manner and not the way in which paul klee points that gives him direction for instance blossoms
4.	Signature 00:29	lyrics	buy track
when a necktie isn't like anything important that's jim dine
5.	International 00:53	lyrics	buy track
when picasso first painted from those african masks who'd have thought this would grow into such an industry of rhythm global consciousness the likes of which would make even raymond roussel quake
6.	Leisure 00:37	lyrics	buy track
a protracted ass in dots by georges seurat
7.	The Bachelor 00:25		buy track
8.	History 00:34	lyrics	buy track
how swiftly rivers painted washington crossing the delaware is a lesson in itself
9.	Sur 00:37	lyrics	buy track
living above the cafe voltaire must have been a nuisance trying to dream your way through successive movements
10.	Curt 00:30	lyrics	buy track
schwitters went the language jumbled on the page
11.	Texturology 00:39	lyrics	buy track
intentional as flesh dubuffet applies himself to whatever feels exceptional
12.	Pop 01:10	lyrics	buy track
we have organized ourselves into oblivion though we were not once so sure and this made us solid and strong but then along came andy warhol to show us just how chewy was the center
13.	Similarity 00:34	lyrics	buy track
if de kooning rhymed with desecration it would be too easy for a relationship to be drawn and this is why her weakness postured
14.	The Shit And The Cunt 00:47	lyrics	buy track
they are two ways of being together they are simular in both ways the other

about

I first met Greg Beemster in the early summer of 1994. I guess I couldn't help noticing the bright yellow Estusa racquets flashing around the courts at The Tam Tennis & Fitness Center and thought, who would dare use these racquets besides Jimmy Connors, and even JC had stopped using them by that time. As a player Greg had a long way to go on many levels. He had great footwork, speed and endurance, but he did not possess a big serve (for someone 6'3") or volleys. As a baseliner his downstrokes were okay but he still lacked a weapon, especially on the forehand side. At the suggestion of one of the other pros at the club I began hitting with Greg and developing his all around game. As with most things, the more you do it the better you get. You become more and more aware and comfortable. The shots become second nature and at some point it all becomes muscle memory. But no matter how accomplished the strokes are it doesn't mean a thing unless you know how to play the game. I'm talking of course about strategy. Knowing what to do and when to do it is EVERYTHING in tennis. Little by little I imparted this specialty and Greg took it all like a scholar. When I started coaching him he was losing a lot of matches that he should have won, but within one year he turned this around dramatically, beating the most troublesome opponents in the most imaginative ways. I'm not sure exactly how much damaged equipment we're responsible for as a result of Greg's opponents' post-match temper tantrums but I snicker about it. Greg snickers too. It's the snicker of champions. Oh, by the way, that forehand was now officially considered a weapon by every player who felt its sting. If only I can somehow transform Greg into a serve and volleyer! Some hope! I think I can safely say that he'll not soon be a doubles specialist! But I realize that the collection of hardware on the mantle speaks for itself. Hard work and dedication does pay off, and to Greg and his titles I can only say, Game, Set, Match, Greg Beemster!

----- Lester Moy
(Greg's Tennis Coach)

credits

released March 1, 2024

Conceived by Scott Rutledge.
Performed by Greg Beemster.
Engineered by Phil Bonnet.
Trumpeted by Thymme Jones.
Beat, Bowed and Bellowed by Dylan Posa.

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about

CHEER-ACCIDENT Chicago, Illinois

Born during the first few seconds of 1981; many decades later: still here.

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